偷星九月天天上人间

>脸书全文:
亲爱的阿姨, ◎    心窗
一栋房子如果没有窗户,温暖的太阳就无法照进来,新鲜的空气也不能飘进来。ngs of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。 当阳光落到牆角
便是我该启程的时候

在还没开口对你说
我心裡的感觉之前
这趟旅程是相当沉重的
因为
割捨不下

难道
在年轻的岁月裡
↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。婆怎麽对您的。可能您忘了,nt face="Arial,

店名: 周记肉粥店
营业时间:06:00~16:30
地址:偷星九月天天上人间市广州街104号
电话 : (02)2302-/>
1.火象星座(牡羊座、狮子座、射手座):活泼好动, 请教!
我二楼磁砖都铺好了,后来在洗衣的地方,发现一项严重的疏忽
那就是我忘记在洗衣的地方, 各位霹雳迷,你们有看金光布袋戏吗?
我是长期霹雳迷,因为过度思念"黑白郎君",去年刚开始接触金光布袋戏,
不知是不是迷太久,没法接受其他脚色来取代霹雳戏偶,(01) 唐太宗皇帝附体的实例与感悟  
     

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2014-10-1 16:10 上传



应找出原因并协助处理
「讨厌上学」并不等于拒绝或者不想学习,学校是一个陌生的地方,不论它是多漂亮、乾淨,总是要与许多不熟悉的人在一起,在那裡小孩就不能随心所欲想怎样就怎样,对于习惯依赖家长的小孩而言,上学初期都会有一段时间的适应期,但大多数都可以在很短的时间内就适应,毕竟去学校并不只有唸书(但很多家长反而比较关心学习的问题),那裡还有很多的玩具与朋友可以一起玩,需要学会人际相处与社会规则。场非常熟悉了。
2010年, "天气冷了...小心身体,别著凉"
这是我唯一可以讲的一句
不想认,但始终要承认

↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,r />如果找到适合自己的工作,人。37岁、去年3月成为优衣库台湾最高负责人的他,校,顾名思义,这学校只有”特殊的学生”可以入学,
而每个学生特殊的情况皆不同,有重有轻,
至于病状百百种,将军对这没研究,所以无法叙述…

在特教学校最让我震惊的一件事,
中午吃饭时间,小朋友们当然就是吃饭,这是废话,
其实,对所谓正常的小朋友来说,吃饭时间吃饭,废话不费事,
但这学校裡多是特殊小朋友,有些是没办法自己吃饭的,
许多人一定无法理解将军在说什麽,
过去,我也无法理解,所以,当时的景象让我震惊,
当我扒便当的同时,我看到病症较轻能自理吃饭的小朋友,
他很有耐心的喂另一个没法自己吃饭的同学吃著,
一口又一口,当同学吃的满嘴满身都是时,他还帮擦嘴清理,
没有哀怨的表情,没有不满的情绪,
我也看到有小朋友会帮忙推著轮椅带病重的同学上厕所,
扶持互助,在一般学校看不到的景象,在这裡,我看到了,
在这学校,小朋友不需要学著竞争厮杀夺分数,
他们,这些光是求生存就比别人辛苦的小朋友,
连吃饭都无法自理的小朋友,
他们要学著互助,因为互助扶持才能生存,
很明白,很简单,简单到连生病的孩子都懂,
而没生病的我们,教育没生病的孩子去竞争去争取去吵去抢,
抢第一争名次夺位置,或许,我们忘记生存的真谛是什麽了,
所以我们特爱强调竞争的重要性,
我们努力去证明自己的优越性,追求成功、成就,
越是追求个人的优越,越是凸显别人的低劣,
站在高点睥睨而下,优越感带来自豪的快乐,
这就是我们目前教育下一代的,基本上,下一代仍会如此教育下下一代…

打从达尔文搞了个「物竞天择」学说后,
人类发疯似的爱上了弱肉强食这鬼理论,
竞争力,这名词也一天比一天还要夯还要火热,
小孩子还没出生就要接受胎教,两岁就要潜能开发,
四岁开始ABCD,然后,无止境的考试考试考试,
因为弱肉强食,孩子,你不强到去吃人,你就会被吃,
爸妈都是为你好,以后你就明白了…
「竞争」成了人生注定的一件大事,打从你跑赢几亿个兄弟姊妹开始,
你的人生就注定在赛跑中度过,直到死去,
当然,弱肉强食,这是大自然法则,谁都躲不过,
这游戏,由不得你说不玩…

今天,我们换个角度想想,
人类之所以强大,独佔了地球大部分的资源,
是因为人类特别会竞争吗?
人类是地球上所有物种竞争比赛的冠军吗?
事实上,人类并非因为竞争而强大,
物竞天择是因为适者生存,适者,不是竞争来的,
也不是强者吃弱者,弱者吃更弱者,
人类的竞争力源自于文明,也就是人类比起其他生物多了社会结构,
每个人担任不同的角色与工作构成社会,衍伸出文明与进步,
所以,一隻老虎吃掉一个人,但十个人拿著刀吃掉一隻老虎,
互助扶持,是人类在地球上强大的原因,
分工合作,是文明发展的重要分水岭,
也就是说,当一个正常的学校教育孩子去竞争,
实际上只是把孩子当畜生,看谁跑得快跳得高,
看哪个孩子考试最高分,最优秀,最有竞争力,
反而,在特殊教育学校,那些不正常的孩子学著扶持互助,
把同伴喂饱,帮同伴打理所需,
你说,到底是正常的学校教育不正常?
还是不正常的学校教育正常了?

过去,将军也论述过竞争思维有什麽盲点,
没看过请往这边移动:
photo.php?fbid=536736196390045&se ... 36229449774053&type=1&theater
竞争让人盲目,竞争让人把同伴当敌人,
竞争让人只向上看,忽略脚下的输家,
竞争,只会把别人当成一个数字,一个不相干的存在,
这也是为什麽,我们透过竞争培育出许多菁英,
但这些菁英并没有让社会更完善美好,
这些菁英普遍都有大头症,也像晋惠帝一样何不食肉糜,
说到底,这样的菁英,跟畜生没两样,
但有趣的是,我们都抢著当菁英,也抢著当畜生,
然后学著像畜生一样把别人当畜生吃了,
吃了对方还不屑的说:「弱肉强食,自然法则。等待救援,巨蛋内也已经断粮断水。 「将军鬼扯蛋, 就刚刚踏入职场生涯的女女们,怎样让你在职场中既不得罪人还能步步高升呢?那一起来看看12星座女必须的职场生存之道吧。空间也就豁然开朗,3年内,全台湾已开出43间门市,平均一个月至少开出一间店,地点遍及花莲、台东等地。

有一位老妇人在她年轻的时后认识了一个好男孩,那个男生的一举一动总能牵拌著她,总觉得跟他有聊不完的话 、说不完的事,和他在一起的感觉很舒服、很快乐。

istock_000004478265xsmall.jpg (11.61 KB,                                                                             
    本身火象星座就有活泼好动的性格,这个对你来说不难。们仍不愿盲从众人,慢慢的变得复杂世故,处处防备,她们更希望未知的事物都是简单而美好的,这样的职场童心虽能在一定程度上缓解工作压力,但把什麽都想得过于简单也容易吃亏。
  纯蜂蜜是一种天然的营养品具有诸多功能(可用蜂蜜断食减肥),性和,润肺润肠,不仅有利于增加肝脏解毒能力,而且还有健胃、助消化等效果,它的热量还 十分地低,蜂蜜具有优良的杀菌效果与解毒效果,它有助于把体内积聚下的废物排出体外,改善便秘,让全身的新陈代谢功能得到改善,使得那些由于不能很好地消 耗而在体内积聚下来的多馀脂肪作爲能量而得到燃烧。p>蜂蜜

2012-11-30 10:13 上传


不规律的生活作息饮食习惯和污染严重的生活环境,g"   border="0" />


律师吕秋远今天早上在脸书po文列了十点说明当一个好婆婆很简单,简单的口诀就是:「视而不见、听而不闻」。没有打开的时候,

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